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The Oscars2025 has been an impressive year for the British Film Institute, in its often scrutinized role as a supporter of original filmmaking, with breakout titles emerging across the festival circuit.
Popular titles include the BFI’s trio of Cannes debuts, Harris Dickinson’s Urchin, My Father’s Shadow by Akinola Davies Jr., and Harry Lighton’s Pillion. Over in Venice, there was Mark Jenkin’s Rose of Nevada, Imran Perretta’s Ish, and Annemarie Jacir’s…See the Story
BFI’s Ama Ampadu On Her Eclectic Career & The “Exceptional” Year Of British Filmmaking: “We’ve Got To Find A Way To Keep This Momentum Going”
67% Left coverage: 3 sources