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Top Windows on Worlds News

90 Years Old – So What? (九十歳。何がめでたい, Tetsu Maeda, 2024)

Puerto Rico · Puerto Rico

90 Years Old – So What? (九十歳。何がめでたい, Tetsu Maeda, 2024)

100% Right coverage: 1 sources

Everyone keeps congratulating Aiko Sato (Mitsuko Kusabue) on reaching 90, but she can’t see what’s so special about it. Having retired from writing after publishing her last novel at 88, she’s really feeling her age and has little desire to anything but sit around waiting to die. That is, until she’s badgered into picking up her pen by a down on his luck, “dinosaur” editor certain that her words of wisdom will strike a chord with the young peopl…See the Story

Competition For Ravens’ Kicking Job Is Tyler Loop’s To Lose

Photography · Baltimore

Competition For Ravens’ Kicking Job Is Tyler Loop’s To Lose

The Baltimore Ravens face an open competition for the kicking job, something they haven’t dealt with in more than a decade, following the end of Justin Tucker’s Ravens career amid an NFL investigation into alleged sexual misconduct.See the Story

Soul Reaper (Malam Pencabut Nyawa, AKA Respati, Sidharta Tata, 2024)

United States · United States

Soul Reaper (Malam Pencabut Nyawa, AKA Respati, Sidharta Tata, 2024)

A young man finds himself haunted by the spectres of his trauma, but also, as it turns out, by a not so ancient evil in Sidharta Tata’s eerie horror film Soul Reaper (Malam Pencabut Nyawa AKA Respati). Plagued alternately by nightmares and insomnia, he discovers an ability to enter a hidden world of dreams while simultaneously noticing a connection with an ongoing spate of mysterious deaths along with that to a traditional village and its ancien…Read Article

Last Mile (ラストマイル, Ayuko Tsukahara, 2024)

“Customer-centric”, what does that actually mean? The Amazon-like US-based conglomerate at the centre of Ayako Tsukahara’s Last Mile (ラストマイル) prides itself on its customer-centric philosophy, but at the end of the day, what that really means is that they give us what we tell them we want through our purchasing patterns and browsing history. That would be that we want everything as cheap and fast as it’s possible to be and don’t really think abou…Amazon · Toronto Read Article

Hakkenden (八犬伝, Fumihiko Sori, 2024)

Kyokutei Bakin thinks he’s a hack who writes inconsequential pulp that will be forgotten faster than yesterday’s headlines. He’d never believe that people hundreds of years later would still be talking about his work. Yet he may have a point in his conviction that people crave simple stories where good triumphs over evil specifically because the real world is not really like that and a lot of the time the bad guys end up winning. But does that m…Toronto, ON · Toronto Read Article

The Old Woman with the Knife (파과, Min Kyu-dong, 2025)

There’s an acute vulnerability that comes with ageing. It’s not vanity or mortality so much as your body betraying you as even once simple tasks become increasingly more difficult. When you’re an assassin, a loss of speed or dexterity is cause for concern and Hornclaw (Lee Hye-young) is beginning to feel her age. Her hands have begun to shake uncontrollably and as she admits to a stray dog she finds herself taking in, you forget things when you’…Read Article

Forte (포르테, Kimbo Kim, 2025)

A worried policeman nervously asks Yeonji (Im Chae-young) if the rumours are true. They say that everyone who works at Studio Forte ends up going mad or dying, but Yeonji has only just started working there herself and it’s too early for her to say whether that really is the case, though it’s true enough that the building has an eerie energy. Even a visiting film director remarks that the atmosphere is unusual, though it doesn’t seem to have put…Seoul · Seoul Read Article

The Square (광장, Kim Bo-sol, 2025)

A young man with blond hair and blue eyes stands out in North Korea, though Isak speaks the language fluently, if with a Southern inflection, and tries to make friends with those around him but is generally kept at arms’ length by those who struggle to understand his motivations. As his boss tells him, foreigners are destined to be lonely, but that goes for the local community too. Constant observation has a curiously isolating quality, as if yo…Pyongyang · Pyongyang Read Article

Winter in Sokcho (Hiver à Sokcho, Koya Kamura, 2024)

A young woman is awakened from a kind of spiritual hibernation by the unlikely arrival of an incredibly brusque French artist in Koya Kamura’s adaptation of the Elisa Shua Dusapin novel, Winter in Sokcho. Like many, Soo-ha (Bella Kim) is waiting for spring, though it’s less this place that has her feeling trapped than an inability to find her place within it, or indeed anywhere, as she struggles with her own identity and the unanswered questions…South Korea · South Korea Read Article

A Century in Sound (百年の音色, Nick Dwyer & Tu Neill, 2024)

Listening cafes are a phenomenon particular to Japan in which the music is the draw rather than the quality of whatever refreshments are available. Indeed, as Nick Dwyer and Tu Neill’s documentary A Century in Sound (百年の音色, Hyakunen no neiro) makes plain, they are spaces of community and identity in which people with similar tastes come together even if, as at classical music cafe Lion, they sit in silence to better absorb the music. Exploring t…Tokyo, Japan · Tokyo Read Article

Escape (逃走, Masao Adachi, 2025)

Satoshi Kirishima’s incongruously smiling face was a familiar presence across on the nation for over 40 years until he finally made a deathbed confession revealing his true identity as a man wanted in connection with a series of bombings in the 1970s and that he’d successfully evaded the authorities until the very end of his life. What apparently appealed to director Masao Adachi, a former Japanese Red Army member, was the question of why he cho…Japan · Japan Read Article

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