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Top newcriterion.com News

Vienna, Austria · ViennaAt the Wiener Staatsoper this spring, George Balanchine’s Divertimento No. 15 and Merce Cunningham’s Summerspace supported Pathétique, the Staatsballett director Martin Schläpfer’s take on Tchaikovsky’s Symphony No. 6. But Balanchine, representing swish uptown modernism, and Cunningham, the shadowy chain-smoking ennui of the downtown avant-garde, seemed less like context than energy sources from which Schläpfer’s new creation borrows its effect.…Read Article
“Moral kitsch & standing ovations,” by Max L. Feldman
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Viktor Orbán · HungaryUnder Prime Minister Viktor Orbán, Hungary’s government has invested heavily in the arts, including a massive renovation of Budapest’s Hungarian State Opera House, an imposing structure that dates from 1884. For evidence of the generous resources at hand, one need look no farther than the Hungarian National Ballet’s opulent new production of La Bayadère, staged by Albert Mirzoyan, a longtime dancer with St. Petersburg’s Mariinsky Theater, who la…Read Article
“A Bayadère for Budapest,” by Paul du Quenoy
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“A Shakespearean romance comes to New York,” by Robert Steven Mack
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“The Critic’s Notebook,” by the Editors
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“A practicing art historian,” by Julia Friedman
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“Week in review,” by Robert Steven Mack
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“The Critic’s Notebook,” by the Editors
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“Coast Guard on paint,” by Daniel Grant
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“Three B's,” by Jay Nordlinger
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