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Wicked's production designer explains how the sets were created for the film

Summary by Radio Times
“You don’t hire me for VFX films!,” says production designer Nathan Crowley. “I get a lot of complaints like, ‘This set is too big,’ but at the end of the day, everyone comes back and says, ‘Actually, it’s perfect.’ I get a lot of flak, and when I sit in a production meeting and say, ‘I think we should plant nine million tulips,’ everyone looks at me like I’m insane.” That’s precisely what he did for Wicked, where pretty much all the sets were p…
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