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The Screenwriter Judge: Between Censorship and the Antidote of Truth – larazón.co
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In Colombia, there is hardly anyone who does not know about the historical atrocity that represented the capture of the Palacio de Justicia in 1985. Therefore, when art decides to touch that fiber, it cannot wait just for prizes; it also has to assume responsibility if it makes a mistake. And that is what happened with the November film, which today is in everyone’s mouth, applauded, but no less questioned. The producer got into the dreaded genr…
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