“The big thing was the neck shape that Clapton wanted. We made about a dozen neck samples for him to play”: From Slowhand’s Strat to “tongue-in-cheek” relics, this is the hidden history of the Fender Custom Shop

“The big thing was the neck shape that Clapton wanted. We made about a dozen neck samples for him to play”: From Slowhand’s Strat to “tongue-in-cheek” relics, this is the hidden history of the Fender Custom Shop

Fender’s Custom Shop had a precarious start in the mid-1980s, but the story of its formative years is full of big ideas, some bizarre instruments, and a queue of famous guitarists