‘Superstar’ and the Tenderness of Nacho Vigalondo

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Factuality

Ownership

The old woman is clear: the child cannot go alone. “I’m not going alone, they’re all going,” I said. “Who are they all?” She didn’t care; she didn’t care that Alberto’s father was a cop, or that there was a special transport service that would take us to the mall and pick us up at the same point. Nacho Vigalondo is writing Extraterrestrial and I’m about to feel like one.