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Spike Lee's lackluster remake: Highest 2 Lowest
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Spike Lee's lackluster remake: Highest 2 Lowest
There is no reason why a remake should remain inferior to its source material; even less so when it’s a ‘reinterpretation’ by an auteur as opposed to a cynical scheme for studios to cash-in on audience’s nostalgia. Ali: Fear Eats the Soul (1974) comes to mind: Douglas Sirk’s Hollywood melodrama All that Heaven Allows (1955) provided Rainer Werner Fassbinder with the template he needed to explore Germany’s own prejudices and social divisions, whi…
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