Inside ‘Ah Girl,’ the Singapore Drama Built From a Director’s Own Childhood: ‘We Can’t Fly Without First Learning How to Walk’
8 Articles
8 Articles
Special Report: Ah Girl (2026)
A child’s inner life deserves to be taken seriously. Mike talks with writer-director Ang Geck Geck Priscilla about Ah Girl, her tender, funny feature debut set amid family fracture in 1994 Singapore. Ang traces the film’s decade-long path from painful autobiographical memories to a story of healing, explains how counseling transformed the script, and reveals how play, trust, and close observation shaped the remarkable performances of young actor…
Ah Girl (TIFF) review: Ang Geck Geck Priscilla shows remarkable skills with child performers in her intimate and bittersweet drama
"Ah Girl," premiering at TIFF, is a poignant drama by Ang Geck Geck Priscilla that explores a young girl's experiences in a fractured family. Through her sisterly bond and encounters with parents, the film reflects on childhood trauma and socio-political undercurrents, driven by Xuanjing Ong's impressive performance. The post Ah Girl (TIFF) review: Ang Geck Geck Priscilla shows remarkable skills with child performers in her intimate and bittersw…
Toronto 2026 Review: Singaporean Drama AH GIRL Elevated by Assured New Director and Astonishing Young Lead
The debut feature from Singaporean writer-director Ang Geck Geck Priscilla is a semi-autobiographical story of a family’s separation, as seen through the eyes of a seven year old girl. Struggling to fully understand the gravity of the situation, and what the future will hold for both herself and her younger sister, Ah Girl lilts gently from moments of drama and sadness to others of playfulness and joyful innocence. Shot in 4:3 ratio and ancho…
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