Guth Achieves the Near-Impossible for a Salome Production: an Anti-Climactic Ending
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Guth achieves the near-impossible for a Salome production: an anti-climactic ending
via The MetThe ugliest horror. The most beautiful, uplifting music. The paradox of the final scene of Richard Strauss’ Salome when the dancer of the seven veils fulfils her ambition to kiss the red lips of Jochanaan, defies description. But I’ll give it a go!Too bad the lips are attached to Jochanaan’s severed head. Salome, soprano Elza van den Heever, completes her descent into madness, embracing the head of the prophet, previously served up on…
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