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Pushing the Scenery without Overtime
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The black Mazda rolls through the grey commercial area until the calculator puts snow-covered Alpine summits behind the guardrail. Real facial expressions in the box, the film romanticism delivers the render farm. When shooting the Singaporean series 'The Crooks', the actors stood in front of real cameras in sparse interiors: All mountain scenery, street trains and dramatic light cones were only expected in post-production via AI over the raw ma…
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