Peter Ho-Sun Chan Talks Asia Co-Production, Changing Chinese Film Biz & Timeline For ‘She Has No Name’ Part Two
Chan discussed the evolution of Asian cinema and plans for the second part of ‘She Has No Name,’ highlighting his 35-year career spanning Hong Kong to mainland China.
3 Articles
3 Articles
Peter Chan Recalls UFO Era, Industry Transformation at Tokyo: ‘I Make Movies That the Market Needs’
Filmmaker Peter Chan Ho-sun returned to the Tokyo International Film Festival nearly three decades after his UFO (United Filmmakers Organization) films packed the city’s theaters, reflecting on a career shaped by market forces from Hong Kong’s golden age through Hollywood detours to his current work in mainland China. Speaking at the festival where his 1993 film “He Ain’t Heavy, He’s My Father” and 1994’s “He’s a Woman, She’s a Man” once drew …
Peter Ho-Sun Chan Talks Asia Co-Production, Changing Chinese Film Biz & Timeline For ‘She Has No Name’ Part Two
Hong Kong filmmaker Peter Ho-sun Chan talked through the many changes he’s seen in the Asian film business during his 35-year career in a TIFF Lounge Masterclass at Tokyo International Film Festival (TIFF). He also teased when we might get to see the second part of his period crime drama She Has No Name, the […]
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