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Outward 18th Century Charm with Insights into Character for Glyndebourne’s New The Marriage of Figaro
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Outward 18th Century Charm with Insights into Character for Glyndebourne’s New The Marriage of Figaro
Mariame Clément’s new production of Le nozze di Figaro doesn’t throw any big or provocative ideas at Mozart’s perennial masterpiece – a mainstay for Glyndebourne and its most performed opera – and it’s none the worse for it. For her, the characters are already modern, needing little interpretation, so they remain, in outward appearance, more or less exactly as they would have been seen in 1786. Inspiration for costumes and set comes from contemp…
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