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Operatic Emotion & Melodramatic Coincidence: Paul Thomas Anderson's Magnolia
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Operatic Emotion & Melodramatic Coincidence: Paul Thomas Anderson's Magnolia
The purest, and arguably most puerile, definition of auteurism necessitates a neat classification of artistic idiosyncrasies. The governing principle behind this approach is to find commonalities between an artist’s not-so-varied work in the hopes of making a magical discovery about the one big meaning behind it all. However, even for a filmmaker like, say, Wes [...] The post Operatic Emotion & Melodramatic Coincidence: Paul Thomas Anderson’s Ma…
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