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Old Man’s Child in Chile: a Dark Day
By Alan Gormaz Cartagena. There are nights when metal does not need excuses. It does not need great scenarios, fireworks or artifices to prove its power. It is enough for the lights to go out, for the public to be immersed in the darkness and for those riffs capable of opening cracks in reality to begin to emerge from the boards. On September 22, the Teatro Cariola will be precisely that place: a meeting point between different generations and d…
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By Alan Gormaz Cartagena. There are nights when metal does not need excuses. It does not need great scenarios, fireworks or artifices to prove its power. It is enough for the lights to go out, for the public to be immersed in the darkness and for those riffs capable of opening cracks in reality to begin to emerge from the boards. On September 22, the Teatro Cariola will be precisely that place: a meeting point between different generations and d…
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