Music links past, present for Pedro Pascal's cellist in 'Behemoth!'
- Director Tony Gilroy's film 'Behemoth!' held its world premiere at the 64th New York Film Festival, marking his return to feature films after a 14-year absence.
- Centered on cellist Alex Serian, played by Pedro Pascal, the story follows the musician's return to Los Angeles after 20 years of self-imposed exile navigating his formidable musical family.
- To craft the film's immersive score, Gilroy collaborated with nine composers billed as the 'Behemoth! Collective,' while Pascal learned to play the cello to ensure his performance looked authentic.
- The film utilizes a fractured, non-linear structure where the score serves as the narrative spine, blurring diegetic and non-diegetic music to merge reality and fiction.
- 'Behemoth!' releases December 4, 2026, utilizing Dolby Atmos sound technology to immerse audiences in the professional music world and heighten the film's sonic ambition.
32 Articles
32 Articles
Pedro Pascal calls learning cello for ‘Behemoth!’ ‘hell and heaven’: ‘I took it everywhere’
Pedro Pascal takes on the challenge of learning the cello in just a week for his role in ‘Behemoth!’. Discover the struggles and triumphs he faced and how the music intertwined with his character's story.
Music links past, present for Pedro Pascal's cellist in 'Behemoth!'
"I was so taken by what the story was and the... intimacy of all of it, in the way that I guess how intimate it can feel to listen to music and to be guided by music," the 51-year-old actor told AFP on Friday. Jumping between past and present, the film tells the story of Alex Serian, a cellist who moves to Los Angeles to care for his dying mother and escape an overbearing ex played by Olivia Wilde. While there he joins an orchestra that performs…
Pedro Pascal dives into the cello for his role in "IBehemoth!", a Tony Gilroy tape that explores the connection between music and memory.The story of Alex Serian, a musician seeking refuge in Los Angeles, offers an intimate narrative that alternates between past and present.
Pedro Pascal admitted that before working with Tony Gilroy on the film “Behemoth!” he thought the director was a tough guy. The post Pedro Pascal thought Tony Gilroy was a “terrifying intellectual” appeared first on in.gr.
Pedro Pascal has revealed how he had to perfect a new artistic skill for his latest role, which is playing the cello. Pascal will soon appear in “Behemoth” as a talented cellist who returns to Los Angeles to rebuild his life. Ahead of the film’s world premiere at the New York Film Festival, Pascal joined director Tony Gilroy and the other cast members. When asked what surprised him most about learning the cello for his role, Pascal admitted that…
‘Behemoth!’ Review: Pedro Pascal Plays a Wayward Cellist in Tony Gilroy’s Movingly Atonal Character Study About How People Conduct Themselves
Purposefully unfolding like a piece of classical music that’s lost its melody among a maze of overlapping leitmotifs, Tony Gilroy’s “Behemoth!” is a much slippier and more elegant thing than the scale implied by its title — the deception of which is purposeful as well. Sure, there are car crashes, crane shots, and nine different composers to the film’s credit (with giants of the form like Alan Silvestri, Michael Giacchino, and James Newton Howar…
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