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Keeping a critical distance
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Keeping a critical distance
Lionel Trilling’s The Middle of the Journey (1947), James Wood’s Upstate (2018), Lauren Oyler’s Fake Accounts (2021) – there is always a special interest in a novel written by an accomplished critic. Leo Robson, a well-known reviewer for magazines such as the New Yorker, Harper’s and the New Statesman, has thrown his hat into the ring with his debut novel, The Boys. It is 2012 in London, the BT Tower is counting down the minutes to the Olympic G…
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