Every decade has its seminal films, whether it’s Francis Ford Coppola’s Apocalypse Now, representing the 1970s or WM Murnau’s Nosferatu of the 1930s, and for Jason Sudeikis, when it comes to the 1990s, Being John Malkovich wins the title. “That movie is seminal,” he told Collider, before going one further, “I think [it] changed movies”. It might be a big claim to make about a film, but it did push the meaning of a cameo to its limits, laying the…