There’s a particular moment standing in front of one of Janet Pulcho’s paintings when the scale stops feeling like spectacle and starts feeling like an argument. From a distance, the works read almost impossibly large for watercolor. Up close, the question shifts. The real surprise isn’t their size but how completely they trust the medium to carry it. The artist’s practice has evolved with unusual clarity.Her early large-scale floral watercolors…
This story is only covered by news sources that have yet to be evaluated by the independent media monitoring agencies we use to assess the quality and reliability of news outlets on our platform. Learn more here.