In Saint-Nazaire, the announced closure of the Grand Café not only recounts the end of a contemporary art centre. It reveals a deeper fracture: that of a very public art through its financing, its labels and its institutions, but too unpopular in its reception, its uses and its address to the general public...
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In Saint-Nazaire, the announced closure of the Grand Café not only recounts the end of a contemporary art centre. It reveals a deeper fracture: that of a very public art through its financing, its labels and its institutions, but too unpopular in its reception, its uses and its address to the general public...