On his reclining nude, Leo Gestel sculpts the body with the angularity of Cubism. The naked woman in Gustave De Smet’s *De zomer* is more down-to-earth, bolder, and leans towards Surrealism. Refreshing.
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On his reclining nude, Leo Gestel sculpts the body with the angularity of Cubism. The naked woman in Gustave De Smet’s *De zomer* is more down-to-earth, bolder, and leans towards Surrealism. Refreshing.