With 'Teenage Sex and Death at Camp Miasma,' Jane Schoenbrun Turns Slasher Tropes Inside Out
The film follows a queer filmmaker’s reboot of a cult slasher series, with Hannah Einbinder and Gillian Anderson leading a story about desire and horror.
- On August 7, writer-director Jane Schoenbrun released the slasher comedy Teenage Sex and Death at Camp Miasma, starring Hannah Einbinder as Kris, a queer filmmaker hired to reboot a flagging horror franchise.
- Studio executives sought a queer filmmaker to address problematic trans representation in the original Camp Miasma series, hiring Kris to revitalize the 'zombie IP' of the long-running franchise.
- Kris recruits Billy Presley, the original film's 'final girl' played by Gillian Anderson, to reprise her role at the abandoned summer camp where the franchise was filmed.
- Set to Counting Crows' 'A Long December,' the film features masked killer Little Death as Schoenbrun explores trans identity through a 'mindset where you can really enjoy something scary.'
- Einbinder hopes the film challenges audiences to examine their comfort levels regarding gender and sexual identity, with the movie currently playing in theaters via Mubi.
31 Articles
31 Articles
The Bloody Good Teenage Sex and Death at Camp Miasma Has an Erotic Edge
Many directors spend their careers exploring new ways to consider their favorite obsessions. Take Martin Scorsese acknowledging his guilt over his role in glorifying violence, Steven Spielberg and his hope that aliens could unite humanity, or the body horror of Julia Ducournau. Once you realize that certain thoughts gnaw at a director throughout their body […]
Jane Schoenbrun continues her exploration of queer cinephilia and parasocial relationships in this erotic "slasher".
'Teenage Sex and Death at Camp Miasma' dissects fear and desire in disreputable cinema
Starring Hannah Einbinder and Gillian Anderson, writer-director Jane Schoenbrun's film follows a director hired by Hollywood to reboot a moribund 1980s slasher franchise. "There's not much emotional ballast or storytelling suspense in this self-congratulatory index of reference," film critic Sean Burns reviews.
In the middle of the best year of her career, the actress of Hacks arrives at the poster with Adolescence, Sex and Death in Camp Miasma, the praised film in which she shares scenes with Gillian Anderson. In dialogue with Culto, she details her affinity with director Jane Schoenbrun and the score-setting proposed by the film with the representation of sexual diversity in horror cinema.
Starring Gillian Anderson and Hannah Einbinder, this award-winning film comes to Argentine cinemas at the Cannes Festival, which reinvents with ingenuity the exploding subgenre slasher of the 80s.
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