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How Francis Ford Coppola Taught Me to Build, Not Just Direct
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1 Articles
How Francis Ford Coppola Taught Me to Build, Not Just Direct
The restaurant is quiet – too quiet. Pacino sits rigid at the table, listening more than speaking. His eyes flick toward the bathroom. Back to the men across from him. Time stretches. When he finally pulls the gun and shoots McCluskey, then Sollozzo, the violence isn’t cathartic – it’s abrupt, disorienting, irreversible. The sound echoes. The room doesn’t recover.I was 14 or 15 when I first saw that scene, and I remember it vividly. At the time,…
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