James Stanwix: In your first stanza from the poem “How to embrace a Quenda”, the persona’s reason for drawing back from trying to photograph the quenda is framed in terms of avoiding further habitat trespass or injury to that animal. Being a poet who at times takes a non-human as subject – picturing that subject in words – how do you think about poetry-created images as different to camera-created ones? [Lisa Collyer]: Ooh, I like that. It sou…
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