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Guest Column: Why Timothée Chalamet was wrong to compare film to ballet and opera

Chalamet's remarks sparked criticism from celebrities including Doja Cat and Sunny Hostin, highlighting ongoing debates about public support and appreciation for opera and ballet.

  • Timothée Chalamet's Variety interview clips from March 6, 2026, resurfaced, prompting criticism after he said he didn't want to work in opera or ballet; Doja Cat initially joined then retracted criticism.
  • Amid awards-season attention, Timothée Chalamet said he didn't want to work in opera or ballet because people were trying to keep them alive despite lack of interest, which landed badly with artists.
  • Performers responded by sharing performances as Tamara Rojo of San Francisco Ballet cited more than 40% revenue growth, while Soula Parassidis and Stefanie Renee Salyers defended opera and ballet's intrinsic value.
  • Timothée Chalamet's awards-season profile faces heightened scrutiny as Marty Supreme from A24 has earned more than $147 million worldwide, with commentators noting irony in his remarks given the film’s originality.
  • The episode renewed debate about arts funding in the United States, recalling a 2000 National Endowment for the Arts analysis on low per-capita spending and highlighting social media 'feeds' as a driver of cultural attention.
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For Timothy Chalamet, "no one has anything to do" with ballet or opera. For the past few days, polemics have made institutions around the world react. Bordeaux's opera, which fills the room and attracts young people, has invited the actor to come and attend a show and discover the programming that goes from balls to Bridgerton to musicals, to the very popular Christmas ballets or mythical operas.

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Guest Column: Why Timothée Chalamet was wrong to compare film to ballet and opera

Guest Column: Why Timothée Chalamet was wrong to compare film to ballet and opera

·New Orleans, United States
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indy100- Independent broke the news in on Friday, March 13, 2026.
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