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Glyndebourne’s Parsifal is a travesty. No storyline goes unmauled
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Glyndebourne’s Parsifal is a travesty. No storyline goes unmauled
via GlyndebourneThe opening bars of Richard Wagner’s final masterpiece, Parsifal, form a monophony. One single, long, musical line shorn of harmony and counterpoint.Totally unlike the brassy crash, bang wallop of the likes of Die Maestersinger, or Der fliegende Holländer. Wandering up and down the stave without resolution. Creating uncertainty.Parsifal, twenty years in gestation, was to be different. The crowning achievement of a stellar career.…
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