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Composer Volker Bertelmann On Creating Precise Tension In 'The Day Of The Jackal' - Immersive Media
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Composer Volker Bertelmann On Creating Precise Tension In 'The Day Of The Jackal' - Immersive Media
It's good to be sparse, like when the Jackal is setting up and you see the police coming after him. You hear a bit of piano, and it helps build the tension. You can also use frequency-driven sounds like low drones and low bass drums. I'm in love with bass drums. I could do a full score only based on bass drums because they fill the space so much.
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