Brothers Manfred and Rainer Honeck make Strauss' 'Ariadne auf Naxos' a family affair in Salzburg
The brothers’ rare joint appearance adds a family dimension to the Salzburg Festival production, as Manfred’s Pittsburgh Symphony becomes the only American orchestra there.
- Conductor Manfred Honeck and violinist Rainer Honeck are making a rare joint appearance in the Salzburg Festival's new production of Richard Strauss' "Ariadne auf Naxos," which runs through Aug. 28.
- Their father, Otto, a postman in Nenzing, Austria, insisted on daily practice. "He wanted us to practice every day, and he practiced with us," Rainer said, establishing the discipline that shaped both brothers' careers.
- Manfred leads the Pittsburgh Symphony Orchestra as music director, while Rainer serves as concertmaster for the Vienna Philharmonic. "This is the concertmaster," Manfred said, "and also my brother."
- The Pittsburgh Symphony is the only American orchestra performing at this summer's Salzburg Festival, part of a European tour. Director Ersan Mondtag's unconventional staging is available to stream on Medici.
- Turning 68 next month, Manfred recently agreed to a contract extension through 2032-33, which will eventually move him past William Steinberg to become the Pittsburgh Symphony Orchestra's longest-serving head.
15 Articles
15 Articles
Brothers Manfred and Rainer Honeck make Strauss’ ‘Ariadne auf Naxos’ a family affair in Salzburg
SALZBURG, Austria (AP) — Austrian conductor Manfred Honeck was walking out of a rehearsal with soprano Christina Nilsson and the Vienna Philharmonic at the Haus für Mozart when they passed a violinist who had just been practicing with them. “This is the concertmaster,” Honeck said, “and also my brother.” Among nine siblings, Manfred and Rainer...
Brothers Manfred and Rainer Honeck make Strauss' 'Ariadne auf Naxos' a family affair in Salzburg
Conductor Manfred Honeck and his brother, violinist Rainer, are making a rare joint appearance at the Salzburg Festival.
Austrian conductor Manfred Honeck came out of an essay with soprano Christina Nilsson and the Vienna Philharmonic at the Haus für Mozart when they passed by a violinist who had just rehearsed with them.
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