AwardsWatch - ‘Resurrection’ Review: Let Bi Gans Be Bi Gans [A] Cannes

The last day of the official section comes full of dividing films, between pure and popular cinemaphilia. We comment on the spectacular ‘Resurrection’ of Bi Gan, Kelly Reichardt’s minimalist ‘The Mastermind’ and Ethan Coen’s ‘Honey Don’t’ lesbian. More information: Carla Simón dignifies the generation lost by heroin and AIDS: “They didn’t know the consequences”

On the last day of the Cannoese competition, the young prodigy Bi Gan and the multi-palmé veterans Jean-Pierre and Luc Dardenne competed.

AwardsWatch - ‘Resurrection’ Review: Let Bi Gans Be Bi Gans [A] Cannes

Following the unexpected successes, both critical and commercial (in its native China at least), of 2018’s Long Day’s Journey Into Night, Bi Gan returns with an even more spectacular and artistically ambitious epic, Resurrection, which also marks his first time in the Cannes Film Festival main competition. It’s no doubt the most challenging entry on…