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At the Théâtre Du Soleil, Ariane Mnouchkin and Her Troupe Capture Evil at the Root in a High-Fly Show
5 Articles
5 Articles
In the second episode of its historical fresco of the 20th century, the director convokes archives and historical figures and plunges us into contemporary imperialist madness with maestria.
The second part of the historical fresco "Here are the dragons" plunges into the terrifying rise of totalitarianisms of the inter-war period.
Photo Vahid Amanpour If the patroness of the Théâtre du Soleil is stubborn to use a masked theatre doped with playback, which once again deprives its actors of any playing latitude, the second part of its historical tetralogy in totalitarian terrain reveals itself, in its intellectual approach and the echoes that it cultivates with the present, much finer and more reflexive than the first.
At the Cartoucherie de Vincennes, Ariane Mnouchkine deploys an ambitious historical spectacle covering the period 1918-33. War, revolution, fascism: this second era of Iti are the dragons projecting the spectator into a whirlwind of events that resonate with our time.
The second part of the ambitious project of the founder of the Théâtre du Soleil and her troupe attacked the history of the 20th century between 1918 and 1933, and struck by its proximity to the news.
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Bias Distribution
- 100% of the sources lean Left
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