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A Tremendous Salome Closes Pappano’s First Season with the LSO
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A Tremendous Salome Closes Pappano’s First Season with the LSO
Mahler, Ravel and Schoenberg all agreed that Richard Strauss’s Salome was amongst his greatest works and in a performance as compelling as this one it would have been almost convincing to see this is as his operatic masterpiece. Oscar Wilde’s description – in De Profundis – of Salome as ‘refrains whose recurring motifs make it like a piece of music and bind it together as a ballad’, recall not just Nietzsche but the Straussian ideal of music and…
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